Search results for query: *

I think you misunderstand me, speech patterns and unfamiliar emotional states are two different beasts. My suggestion was to use your own experiences when writing unfamiliar things, aka that romance issue you mentioned, before adding on the extra layer of an unfamiliar speech pattern. Good...

I think that would work just fine, you'd just have to make it sound a little more formal. Maybe a,"Thank you, my prince. ...Would you care to join me for afternoon tea?" Maybe focus on getting better at writing different characters with your same speech patterns, no need too do both at once...

I prefer to have a lot of descriptions for the world/it's conflict, and then I like to have open-ended freedom for my own character. I definitely agree with Captain C, it's important to highlight the most important part of the rp for so I can design my character accordingly. The biggest thing...

I didn't cringe, sweetie. I see some awkward phrasing, sure, but nothing to cringe over. Honestly, you could have just said, "O-. O. Thank you, my prince, I am... flattered. But... but why? I'm just a lady of House Delion. Surely, you mean these for someone else." I said the same thing as you...

I hate pressure on post length. There's this unspoken elitism behind how much you should write for each post and it makes me sad. Good writing isn't found in length, it's found in content. Scene movement is so important. Sometimes we have thick, slow, or emotional moments and they truly merit a...

The same thing happened to me when I tried to write a character that wasn't human for the first time. I got through it by ignoring my embarrassment. I tried my best to write with confidence, because as long as you act like you know what you're doing, your readers will sense the confidence and it...